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SBS ‘K-Pop Star’ Confirms Final Live Vote System “Judges 60% – Viewers 40%

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SBS ‘K-Pop Star’ revealed its final live voting system.

‘K-Pop Star’ representative said to OSEN on February 23, “We have determined the voting of live stages. The viewers, internet and text message will have 40% and 60% will be based on the judge’s score.”

“The internet voting will take place in advance. It will be more of showing the viewer’s preference. We are still in discussions of the ratio between text message and internet votes.

‘K-Pop Star’ has made headlines even before production as it casted the leading artist from top labels SM-YG-JYP as judges. The winner of audition will win a prize of $2,658 dollars and immediately debut as a singer with one of labels SM-YG-JYP.

The live broadcast of the show will begin on March 4, 10 surviving contestants will show a fierce competition. The last broadcast will be on April 29.

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‘K-Pop Star’ Which Contestant Made YG-JYP-BOA Cry??

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On the final episode of the battle auditions on Survival Audition K-Pop Star, judges Yang Hyun Suk, Park Jin Young, and Boa all were filmed crying their eyes out.

The episode of K-Pop Star that will be aired on the 26th of February will show who will move on to the live performances. The people who placed 2nd will compete against each other in order to continue to the next round.

On the preview of this week’s episode, a scene that showed everybody in the show crying caught everybody’s attention. Even Park Jin Young couldn’t hold his flowing tears back. Yang Hyun Suk was also shown crying. The preview drove all the viewers crazy with curiosity. Netizens expressed their curiosity after seeing all the judges as well as all the staff of the show crying.

A preview shown at the end of last week’s episode showed BoA stating, “Are other audition shows this sad?” and showed her with tears dripping down her face. 

Currently, Lee Michelle, Park Ji Min, Lee Seung Hoon, Park Jae Hyung, Son Mi Jin and Oh Tae Suk have all placed 2nd place so far, which means that they’ll have to go through an extra round of auditions to compete for the open spots for the live performance. A total of 7 people will compete for the remaining 4 tickets for the live audition. Contestants will all have to perform at their highest level in order to be chosen for their continuation to the next round.

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K-pop stars make overdue returns


A promotional image for the album “Touch” shows Fei, memebr of multinational girl group Miss A.

By Noh Hyun-gi

Currently, K-pop programs are filled with new faces such as Sunny Hill, or B.A.P., but that is about to change. Many groups are returning to the stage here in the coming weeks after wrapping up their schedule abroad or dedicating their time to new albums.

Boy band Big Bang will climb out of its incident-filled slump with the mini album “Blue” on Feb. 29. The song “Blue” was the first of the seven-track album to be released Wednesday. The list of the entire album is released, but YG Entertainment, the groupagency, labeled every song of the album except for the intro as “title track.”

“Usually only one song is designated to represent an album. This time, we wanted to give equal weight to all the songs that the band worked very hard for,” said an official at YG. How this approach will affect the five-member band’s schedule is undecided. “We are still figuring out how to execute this plan. The goal is to give the fans as much opportunities as possible to fully enjoy all songs.”

Last year was a tough one for the K-pop group. In November, G-Dragon, the leader, had an indictment suspended by the Seoul Central District Prosecutors’ Office after being questioned on charges of smoking marijuana.

Another member, Dae-sung, was investigated after he ran over a 30-year-old man lying on the road before crashing into a parked taxi on Yanghwa Bridge on May 31. The prosecution cleared Dae-sung of charges for causing the death due to a lack of evidence.

Following the release of the mini album, the group will embark on a world tour “Big Bang Alive Tour 2012.” Starting with shows in Seoul Olympic Park from March 2 to 4, Big Bang will perform in 25 cities in 15 countries. The group recently shot the music video for “Blue” and “Bad Boy” in New York.

Miss A, a four-member girl group from JYP Entertainment, released its mini-album “Touch” on Monday. It includes six songs — “Touch,” “Lips,” “Rock ’n’ Rule,” “No Mercy” and “Over U.” The title track “Touch” is a catchy song about a heart break produced by Park Jin-young, the president of the agency. Upon release, it ranked number one in various music listings in the country such as Melon, Bugs, Mnet and Olleh Music. The music video is an experimental work that uses psychedelic images as well as frequent zooming techniques that accentuates the choreography. Incorporating sets and attire from the aesthetics of Shanghai in the 1980s, the footage manages to bring out mature beauty from the four young members. The video topped a Chinese music chart Yin Yue Tai on Monday. Miss A will be performing on channel Mnet’s “M Countdown” today.

Rock-inspired K-pop group CNBLUE will be returning home in March after a successful year in Japan. Their second single in Japan “Where You Are” ranked number one on the Oricon Chart in January, as the first foreign artists since Canadian rock band Mashmakhan in 1971. On March 9, CNBLUE will perform in LA with F.T. Island, another K-pop group.

Ballad group 2AM from JYP Entertainment will break its long overdue silence at home on March 13 with a new release. This return marks their first full length album since October 2010. The single “Saint O’Clock” released in Japan in January sold over 50,000 copies. Jung Ji-woon, the youngest member of the group, is starring in the KBS 2TV sitcom “Dream High.”

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K-pop and national image

Hallyu messengers must learn etiquettes

The seven-member hip-hop group Block B (Blockbuster) is under fire for joking about Thailand’s tragic flooding. The band and other K-pop stars need to learn manners.

Thai social networking services are abuzz with angry comments critical of one of the group member’s joking about the Bangkok floods which killed 780 and left three missing last July. In an interview, a member said he wanted to help the victims heal the wounds through his monetary donation. He said he only has money. Asked on how much money he had, he answered 7,000 won ($6) while giggling and clapping his hands.

The interviewer expected him to express his sympathy to the victims. The entertainer unintentionally hurt the flood victims although he might ask for the benefit of the doubt. His uneducated sarcasm hurt the Thais still struggling to overcome the disaster.

It was too late for the group to issue letters of apology on YouTube. Its leader Zico shaved his head in remorse.

His slip of the tongue is not a technical, interpretative mistake. It reflects the fact that these singers seldom undergo formal schooling. Their ignorance ascribes to the recent discomforting remarks. Many K-pop idol bands rose to stardom through rigorous training from elementary, middle and high school days at entertainment management agencies.

Like football, baseball and basketball players aspiring to become professionals, these hallyu messengers must receive formal education.

They promote Korea through their thrilling dances, songs and fashion but more important is for them to behave in a polished way. Thailand is one of the 16 countries that sent troops during the Korean War, of which 129 soldiers died and 1,139 were wounded. The Thais have justifiable reasons for feeling slighted for the infantile and immature comments.

In this SNS age, a casual remark travels online in seconds. This triggers instant and sometimes uncontrollable responses. Disturbed Thai fans called for boycotts of K-pop groups and generalized the alleged racism of Koreans.

This is not an isolated case. Two years ago, a K-pop singer had to endure online mockery among Chinese fans when he said that he goes to China whenever he needs to meet production costs. An actress made Fillipinos and Fillipinas blush when she mimicked their indigenous English pronunciation in a disparaging way.

Global fans trace details on what K-pop stars do and how they talk and behave. They are public figures whose influence is, in some cases, more powerful than diplomats. Like diplomats, they must be choosy in their words.

Their agencies must educate them so that they show decorum

Thoughtful statements will impress fans and raise their popularity. A preoccupation only with learning dancing, singing and fashion sense will backfire.

Upgrading the national image is not the exclusive job of the government. All Koreans, including K-pop stars, help to form the national image.

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LISTEN: Amazing cover of Give Me Everything


LISTEN: Amazing cover of Give Me Everything

Posted by @britt_mahaney on February 23rd, 2012

I feel like I should know more about this Henry character that’s blowing up on Twitter. Not only because he has a one word name like Madonna and Cher on YouTube but also because his cover of “Give Me Everything” is amazing.

Henry Lau is a Chinese Canadian singer and is best known as a member of the Mandopop boy band Super Junior-M. He doesn’t change Pitbull’s original version too much, but his voice is velvet smooth, he has some crazy piano skills and he manages to rap too.

Listen and let us know what you think!

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Aberdeen’s best fish ball shop to close

If you are a Hong Kong fish ball connoisseur, you know Tse Kee. And you are probably lining up at their doors right now for one of its last bowls of fish balls.

The family-run Aberdeen fish ball joint has been dishing out the Chiu Chow snack with soup noodles for 65 years. Now, Tse Kee is counting down to its March 31 closing date.

Faced with rising fish prices and staffing problems, the eatery has decided to shut it doors rather than compromise its commitment to fresh ingredients.

“Your fish has to be fresh, it’s that simple,” says Tse Chan Wai-fong, the restaurant’s matriarch.

Tse Kee has become an institution of Chiu Chow-style fish snacks. Fish balls, fish dumplings, deep-fried fish cakes and fish skins are all favorites of Tse Kee’s regulars. 

Tse Kee fish balls

The business was started by Mrs. Tse’s father-in-law in the 1940s in another location down a tiny lane. The space was so narrow it was likened to a mountain crevice, which is called “shan loon” in Cantonese.

Today, the restaurant is located on Aberdeen’s Old Main Street and pays homage to its humble beginnings with the name Shan Loon Tse Kee Fish Ball. 

Besides attracting Aberdeen residents, the establishment has seen many famous faces over the years, including chief executive Donald Tsang, former governer Chris Patten and Cantopop king Eason Chan.

Mrs. Tse says there is no magic to good fish balls. She uses eel, lizard fish and croaker from mainland China. The fish are beaten to a thick pulp with a gelatinous texture and turned into various snacks. Sole and pork bones are used for the soup base.

The vivacious, straight-talking matron whose powerful vocalization turns everything she says into a dramatic oration for the entire restaurant, laments that the prices of those fish have jumped 40 percent in the past year.

It has also been difficult to hire staff as salaries rise. Rather than using poor quality fish or selling the business, the family has decided to shut it down.

“If we don’t have good fish, we don’t sell fish balls — that’s how the old man always insisted on doing it,” Tse Chan Wai-fong says, referring to her father-in-law.

Evidently, it’s a formula that works. “I married my husband for his fish balls,” she says, laughing and slapping the cashier’s counter, where she is often stationed.

Tse Kee fish balls

Since news broke on February 22 that Tse Kee was shutting down, Mrs. Tse says the shop has seen a third more customers than usual. She believes she will be busier over the coming month than in the past 40 years.

By 3 p.m. on a recent day, the restaurant had run out of take-away fish items. 

While some might say there is nothing special about Tse Kee, many swear by it, and those loyal followers have been flocking over to have their last taste.

“The fishballs have a fresh taste and no stale fishiness to them,” says Aberdeen housewife Kwok Kam-chun, 58, who has been frequenting Tse Kee for 35 years and goes three times per week, sometimes with her daughter.

She recalls once spotting Chan, the singer, there.

Mr. So, 58, who took his first bite at Tse Kee 15 years ago, says fish balls elsewhere have a texture and taste that seems fake. He recently traveled with his wife from their home in Wong Tai Sin so she could have her first try before Tse Kee closes.

Tse Kee, G/F, 80-82 Old Main St., Aberdeen, +852 2552 3809. Open daily, 10 a.m.-6 p.m. Noodles cost between HK$23 and HK$40 per bowl depending on the fish items accompanying them. 

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All that’s hair to stay

<!–enpproperty 2012-02-24 08:39:20.0Echo Zhao ()All that’s hair to stayAll that’s hair to stay1811066441Life2@usa/enpproperty–>

今天, 想要惊世骇俗,你要绞尽脑汁才行.但在三十年前, 你只要换个发型就行了.

‘Don’t hang around these types,” a mother would warn her son in the 1980s whenever a young man walked by with his flowing mane trailing in the wind. A longhaired man was a freak, a rebel, something strange and dangerous when all the good boys kept their hair neatly shorn.

All that's hair to stay
In the 1980s barbershop, hair perming became all the rage but everyone’s curls started to look the same. [Photos Provided to China Daily]

Back in 1927, a newspaper reported that a father severely punished his daughter for cutting her hair. He ordered her to write a confession and place it, along with her sundered braid, in front of the ancestral plaques in their home.

In 1991, the first Wiry Hairdo, radiating outward from my cousin’s head, came into my house. The fashionable coiffure didn’t stay long. Cousin ran out in tears when Father scolded, “What did you do to your hair? It’s too ugly.”

Hair, those seemingly innocuous strands atop your head, has raised much ire in China’s long history. From the chopping off of men’s long braids at the end of the Qing Dynasty (1944-1911) to women making waves with chemical “perms” in the 1980s, hairstyles have been making statements loud and clear.

Creative hairstyles started blossoming in 1979, with the reform and opening-up policy. In the preceding decades, function trumped form as men and women stuck with practical hairdo’s that went with the times.

In the 1950s and 1960s, braids (麻花辫 máhuābiàn), a traditional Chinese look, were popular for girls. To show extra revolutionary spirit, married women usually wore their hair in “Liu Hulan” style (刘胡兰头 Liú húlán tóu), named after the martyr who was guillotined at 15 for refusing to surrender. (To create your own “Liu Hulan”, brush your bangs off the forehead and tightly secure them to the side with hairpins.)

Men added little to the hair scene during this and earlier times – they were too busy singing songs about the allure of shiny black braids, and, later, about the revolution.

All that's hair to stay
In hair salons these days, hairdressers design various styles for customers based on their characteristics. [Photos Provided to China Daily]

But once China began opening up, girls unleashed their imaginations. Long-fettered vanity came out to play. More and more braids were invented: plain braids, inverted braids, three-, four-, six-strand braids. A nationwide fashion face-off started as women tried to outdo each other with intricate hair handiwork.

Where there is fashion, there are throwbacks. The perm, first seen in 1930s Shanghai, made a comeback in the 1980s. Perming methods were still rudimentary – sometimes fire-tongs wrapped in a wet towel did the trick – making curly hair a thrilling look in more ways than one.

“Slight carelessness would get you burnt hair,” Barber Wang recalled. “But our business was incredibly good.”

Some shops had started using chemicals, but they were the toxic stinky kind. Women were braving it – burns, stench and all – just to follow hair fashion. I already alluded to the “Wiry Hair” (钢丝发 gāngsī fà) episode at my house, but there were many other popular looks.

In the early 1980s, the “Wave Hair” (招手停 zhāoshóu tíng) set a milestone in Chinese hair history; it was the first named hairstyle. The”wave” was made by lifting bangs high when they dried and then coaxing them into shape with the help of imported hair mousse.

After the “Wave Hair” came lots of monikered styles, which were increasingly varied.

Hong Kong singer Zhang Qiang (nicknamed the Chinese Disco Queen) burst onto the scene with her Afro-style “Exploding Hair” (爆炸头 bàozhà tóu).

Hong Kong and Taiwan TV shows infiltrated the mainland, making girls covet the center-parted long straight hair of Brigitte Lin (林青霞 Lín Qīngxiá). For extra coyness, girls mimicked Brigitte by tucking a flower behind the ear.

Men were initially shy about jumping on the hairstyling bandwagon. Through the 1980s, the “Xiaoping crew cut” (小平头 Xiǎopíng tóu) was standard, favored for its short length and as a tribute to our leader Deng. There was little variation in men’s coiffures.

But this all changed when the Four Heavenly Kings of Cantopop (四大天王 Sì Dà Tiānwáng) came onto the entertainment scene in the 1990s. Young men flocked to shape their locks into the “Aaron Kwok Hairstyle” (郭富城头 Guō Fùchéng tóu), a longer middle-parted look.

Other favorites were the “Jimmy Hair” (林志颖头 Lín Zhìyǐng tóu), inspired by Taiwanese star Jimmy Lin, and the “Cheng Yee Kin” (郑伊健 Zhèng Yìjiàn), a shaggy long do worn by a Hong Kong celebrity. For an extra dose of trendy rebellion, some men also curled their long hair.

From the 1990s onward, the business of hair grew. Barbershops and salons sprang up everywhere. Products and shampoos flooded the market. The Big Three (Head Shoulders, Pantene and Rejoice) dominated the Chinese market and flashed unprecedented advertising campaigns at everyone with moldable strands.

In this era, too, modern Chinese no longer saw choice as a novelty. Individualism in fashion grew; the fervent trend following of the 1980s subsided. No single look would elevate to iconic hairstyle status with so many now competing for attention.

By the time we crossed the millennial mark, it was already a matter of fact that hair is something to be played with, innovated and reinvented. Length and straightness are just two variables in the hairstyle formula. Color, texture and sheen are all ways for people to differentiate their hair from that of a billion and a half other people’s. Currently, “The Bob” (波波头 bōbō tóu) is drawing a female fan club, but each girl puts her own spin on the short blunt style. Most Bob experiments turn out well, but the strangest ones are at least as astounding as the “Wiry Hair” that graced my home two decades ago.

Surely, switching up your hairstyle will become easier and easier in the years to come. But, perhaps the biggest change of all in Chinese hair history is that new styles no longer elicit fury. After seeing so many strange heads, the elderly are no longer so easily fazed.

Courtesy of The World of Chinese, www.theworldofchinese.com

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Slate‘s Mistakes for the Week of Feb. 20, 2012

In the Feb. 16 “Jurisprudence,” Dahlia Lithwick wrote that, under normal circumstances, a forced transvaginal ultrasound “would constitute rape under state law.” Virginia law considers object sexual penetration a felony separate from rape. However, such an act would meet the FBI’s definition of rape.

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Rift developing between Hong Kong residents, mainland Chinese

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In Hong Kong, for the first time, more people identify themselves as Hong Kongers, rather than Chinese. It’s a feeling that’s at the center of growing discontent between Hong Kong residents and native Chinese.

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It started on the subway.

A Hong Kong man told a Mainland mother, who was letting her kid eat dried noodles, and drop some on the floor, that eating wasn’t allowed on the train. Other Mainland Chinese sitting nearby mocked the Hong Kong guy’s less-than-perfect Mandarin. He retorted that this was Hong Kong — they should be speaking the language here — Cantonese.

A verbal feud broke out and police were called. Eventually, the man told another Hong Konger who’d come to his defense – “Don’t bother. Mainlanders are just like this.”

All this was captured on video, and the video went viral. Some Hong Kongers called the man a hero. A Peking University professor named Kong Qingdong, hit back on a talk show in Beijing.

“We don’t have the responsibility to speak dialect, but everyone has the responsibility to speak Mandarin,” he said. “Those who think they don’t have to are bastards. Many Hong Kongers think they are not Chinese. Those kinds of people were British running dogs. Now they are just dogs.”

That video went viral too. So did a music video out of Hong Kong, that put new words to the popular Canto-pop song “Under Fuji Mountain” by Eason Chan. It calls Mainlanders locusts, and depicts them as “stealing, cheating, and lying.” “Thanks to Mainland China,” it says, “Hong Kong is deteriorating inch by inch.”

It wasn’t meant to be like this. When Britain handed sovereignty of Hong Kong over to the People’s Republic of China on a soggy June evening in 1997, China’s leaders expected that Hong Kong would return with its heart, as well as its territory. Anxiety at the time ran high, both among Hong Kongers and among international investors.

But fears were soon calmed, when China showed it was mostly serious about its agreement with Britain to maintain “One Country, Two Systems” for at least 50 years. The Hong Kong media remain far freer, Hong Kong courts far more impartial and Hong Kong’s financial world far more transparent than anything found in mainland China.

Still, Hong Kongers complain that some erosion of civil rights has occurred, and the younger generation has shown itself to be more vocal, even vociferous, in defending Hong Kong rights and identity. Some have even sung the Cantopop locust song at Mainland tourists as they walk by. Mainland tourists have given Hong Kong’s economy a boost, but annoy Hong Kongers with what’s often seen as uncouth and brash behavior.

Mainlanders could point to uncouth behavior by Hong Kongers, too. Quan Xixi, a Mainland graduate student in journalism at the Chinese University of Hong Kong, says a friend of hers was spit on because she was speaking Mandarin on the phone to her mother back in Mainland China.

“My friend just cried, and called me to ask for help,” said Quan. “This made me very angry. I think there are always some extremist people and – I don’t like their attitude.”

Quan is young and hip and open to Hong Kong culture. She finds it interesting that there’s a statue of the Goddess of Democracy on her campus – a sculpture made by students to mark the anniversary of the 1989 Tiananmen Square crackdown in Beijing. She said if she’d been young and in China then, she probably would have joined the demonstrators.

“I think students in Hong Kong have a serious enthusiasm about the Tiananmen Square event … Every student in Hong Kong talks about it and is curious about it,” she said. “For them, it’s a signal that Hong Kong has a higher democracy than the mainland.”

She can accept that, but she says Hong Kongers also look down on Mainland Chinese in other ways.

“In their mind, Chinese people are less cultivated,” she said. “They don’t want to become a part of them. And internationally, Hong Kong has a higher status than Mainland people. So they don’t want to admit they’re Chinese. They just say, ‘I’m a Hong Konger.’”

At the same university, government studies professor Ma Ngok suggests a few reasons Hong Kongers might be feeling this way.

“Some people are worried that the Mainland tourists came and pushed local consumer prices up,” he said. “And for the lower class immigrants, some worried that they took away welfare, and were a burden on Hong Kong society. Of course, the most recent debate is about Mainland women, who come down to give birth in Hong Kong.”

More than 30,000 such women came last year – paying a premium to give birth in Hong Kong, so their babies would have Hong Kong resident status, and could go to better schools and hospitals in Hong Kong, even if their parents still live across the border. Hong Kongers complain this is a drain on resources.

Even Mainland women who have Hong Kong husbands are protesting. A group of them and their supporters recently gathered outside the Hong Kong Chief Executive’s office to deliver a petition. They want to be given priority for hospital beds over Mainlanders with no Hong Kong ties.

“They don’t treat us fairly,” said Yang Li Xiang, 21, who married her Hong Kong husband 11 months ago and is due to give birth in April. “Our husbands are Hong Kong residents who pay taxes. We shouldn’t be treated the same as someone who comes from outside.”

Some Hong Kongers agree, while others say, Hong Kong services should be for current Hong Kong residents only. But there’s more going on than anger over food in the subways, or Mainland women in Hong Kong hospitals. There’s also been a shift in how Hong Kongers feel about being part of China.

“Hong Kong is a free society. We treasure different views,” said Robert Chung, director of the University of Hong Kong’s Public Opinion Program. “And when we see dissidents in China being oppressed and being jailed, of course people are skeptical about it. That has been very clear to us and Chinese officials know that too.”

For 20 years now, Chung has been doing regular surveys of how Hong Kong people see themselves. His most recent survey found that, for the first time, a majority identify as “Hong Konger” rather than Chinese. It also found that trust in the Chinese government has fallen sharply over the past three years, as that government has cracked down on and imprisoned civil rights activists in China.

The survey results have irritated the Chinese government. The response has been – metaphorically – to shoot the messenger. Hong Kong media with ties to China’s Communist Party have called Chung a traitor, and accused him of having ulterior motives.

“That’s not really welcome by me, or by Hong Kong society. Because those are not really civilized ways of discussing a problem,” he said. “I don’t mind discussing with anybody about the motives of our work, the findings of our work, the methodology of our work. But I think it has to be done in a very civilized way. “

But that’s not the way Hong Kong’s Beijing-friendly leftist press operate, said Ma. He says they’ve been known to target individuals in Cultural Revolution-style smear campaigns, hoping to discredit the target, and dissuade others from speaking out.

“The leftist press have always been unhappy with certain figures in Hong Kong, because they think they’re anti-China,” Ma said. “I think they are testing the waters, and if it will work, and if it will silence some critics, they will go on. But if it creates a big outcry, they will silence a little bit for awhile. And then they will pick another time.”

They’ll have another opportunity next month. That’s when Chung plans to run a civil referendum — a kind of shadow election, to see who Hong Kongers would elect as their leader — if they were given that right. They were supposed to have had it five years ago – they’ll have to wait at least another five. But there’s always Chung’s referendum.

“It will be Internet voting, plus of course on-site polling station type of voting,” Chung says. “We think this will be some sort of futuristic technology for civil society participation.”

And it’s happening just days before a Beijing-approved group of delegates elects Hong Kong’s next Chief Executive. There are two candidates. Public opinion polls are already showing the one favored by Beijing, Henry Tang, is polling in the low 20s. If Tang is chosen, when he’s known to be unpopular, it could provoke an outcry from Hong Kongers, and could embarrass Beijing in a year when China faces its own leadership transition. In the midst of all this, Chung said he’s already getting more criticism for his plan to hold the civil referendum.

“I won’t say the Mainland government, because they have not made any statement,” he said. “But the commentators, the radical leftist commentators, they have already branded this activity as unconstitutional, and with separatist motives.”

Chung chuckled.

In his sweater and wire-rimmed glasses, he looks pleasant and scholarly – hardly a threat to China’s territorial integrity. And he’s not, he said. He suggested his data could be useful to China’s and Hong Kong’s leaders – to help them better understand, and serve, the people they govern.

And that just might help more Hong Kongers be more accepting of their mainland compatriots – and of their own status as citizens of the People’s Republic of China.

———————————————————-

“PRI’s “The World” is a one-hour, weekday radio news magazine offering a mix of news, features, interviews, and music from around the globe. “The World” is a co-production of the BBC World Service, PRI and WGBH Boston. More about The World.

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Pernod Ricard chief loves K-pop


Pernod Ricard Korea CEO Jean-Manuel Spriet, right, poses with Busan Mayor Hur Nam-sik after donating 100 million won ($86,000) to the municipal government for the city’s eco-friendly bicycle project last week at Busan City Hall. / Courtesy of Pernod Ricard Korea
By Kim Jae-won

Pernod Ricard Korea’s new CEO Jean-Manuel Spriet likes the fast tempo of Korean society, donates to the nation’s environmental causes and sings along to K-pop group 2PM together with his 15-year-old daughter.

Being fully engaged in learning about and enjoying things Korean doesn’t mean Spriet, however, is diverted from his main mission: to boost whisky sales.

Spriet turned out to be a good communicator with a sense of humor and friendly character.
The chief of the Korean unit of the French liquor company led the conversation at the dinner table during a press conference held in Busan last week to celebrate the launch of Imperial Classic 12 City Edition Busan, a limited edition whisky exclusively sold in the southeastern port city.

He praised K-pop, which has recently gained popularity all over the world, not in only Asian countries but also in Europe, the United States and South America well. “Many French youngsters enjoy K-pop. I like 2PM the most, whom my 15-year-daughter introduced to me,” said Spriet.

He said he once waited to buy concert tickets for the six-member boy band for his daughter, which cost 100,000 won each.
Spriet, who has been here for five months, said he likes Korea’s dynamic society. “Paris is the same as one hundred years ago, but Seoul changes so fast. I like it.”

The French CEO encouraged Korean reporters to approach him. “Please don’t be shy, and please talk to me,” he said to journalists. Thanks to his open mind, a few Korean reporters were able to interview him through an interpreter.

Spriet lifted the atmosphere by making the audience laugh. “We wish good luck to the Nam-sik bicycle,” said the CEO referring to Busan Mayor Hur Nam-sik after announcing a donation of 100 million won ($86,000) to the municipal government. Busan plans to use the fund to promote bicycle use.

The donation is part of the company’s corporate social responsibility program. Spriet said that the company is embedded in social responsibilities wherever it does businesses.

However, he did not fail to mention his business ambitions. Spriet said he aims to boost the Korean whisky market with limited regional editions in Busan, Jeju and PyeongChang.

Pernod Ricard Korea released its blended Scotch whisky brand Imperial 12 decorated with the three cities’ characteristics. The Busan edition was designed with four symbols of the city: Gwangan Bridge, gulls, Marine City and a yacht.

The Jeju edition, which was released recently, was decorated with Mt. Halla, the Olle hiking route and canola flowers. The PyeongChang edition, launched in November to celebrate its hosting the 2018 Winter Olympics, bears images of ski jumps, mountains with snow and fir trees.
“We expect those brands will touch the pride of regional consumers,” said Spriet.

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