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K-pop girl group debuts on major American TV networks with “The Boys”

K-pop girl group debuts on major American TV networks with “The Boys”

Amidst overseas and domestic press interest in the mainstream appeal of K-pop in the U.S., nine-member girl group Girls’ Generation made their American TV network debut on CBS’ “The Late Show with David Letterman” on Jan. 31 (Feb. 1 in Seoul) and followed it up with an appearance on ABC’s “LIVE! With Kelly Ripa.”

 

Nine-member South Korean girl group Girls’ Generation made their major American broadcast TV network debut on CBS’ “Late Show with David Letterman” on Tuesday, Jan. 31 (Wednesday, Feb. 2 Seoul time) (Photo credit: S.M. Entertainment)

Fans hoping for a lengthy appearance might have been disappointed by the relatively brief showing the popular K-pop idols made on both talk shows.

Sans interview, Girls’ Generation performed the Teddy Riley-produced remix of their U.S. debut single “The Boys” to a live band in the Ed Sullivan Theater.

Decked out in skin-baring black outfits, the girls worked the stage with slinky moves and perfectly in sync choreography. Guest Bill Murray joined them on stage for the closing.

The following morning, the group performed their single on “LIVE! With Kelly Ripa” followed by a brief, casual interview with host Kelly Ripa and guest co-host Howie Mandel.

Ripa appeared pleasantly surprised by the warm audience response to Girls’ Generation, saying: “I’ve never seen such audience participation in my life, congratulations.”

“We were just saying you are such a gorgeous group of women,” Ripa praised the girls.

Guest co-host Mandel had the audience and the girls laughing when he said, “I loved the dancing. Your moves were tremendous. It reminded me of me.”

A representative of Girls’ Generation’s agency S.M. Entertainment said that the talk show appearances were not about targeting an adult audience so much as introducing the group to “general viewers.”

“Those in their teens can learn about Girls’ Generation through various channels like the Internet,” the representative explained over the phone.

According to the representative, plans for an official U.S. debut have yet to be made as well as future plans with their U.S. label Interscope Records.

“I think we will continue to do promotions,” the representative said regarding working with Interscope.  

Meanwhile, K-pop continues to hit American TV this week with South Korean girl group the Wonder Girls’ upcoming TV movie, which is scheduled to start airing on TeenNick on Feb. 2 in the States and the following day in Korea.

By Jean Oh
(oh_jean@heraldm.com)

한글 기사

소녀시대, 美토크쇼 출연..관객 반응 뜨거워

그룹 소녀시대가 미국 ABC TV의 인기 토크쇼 ‘라이브 위드 켈리(LIVE! with Kelly)’에 출연해 히트곡 ‘더 보이즈’를 선보이며 한류스타의 매력을 뽐냈다.

2일 소속사 SM엔터테인먼트에 따르면 소녀시대는 1일 오전 9시(현지 시간)에 방송된 ‘라이브 위드 켈리’에 출연해 지난해 미국에서 발매한 스페셜 앨범 타이틀곡 ‘더 보이즈’를 라이브로 소화했다.

진행자인 켈리는 소녀시대가 “한국에서 큰 인기를 얻고 있고, 미국에서도 인기 돌풍을 일으키는 그룹”이라고 소개했으며, ‘더 보이즈’ 무대가 끝난 후에는 “너무 멋진 무대”라고 극찬했다.

그는 관객들이 서툰 한국어로 소녀시대를 연호하는 등 뜨거운 반응을 보이자 “이렇게 적극적인 관객들은 내 생애 처음”이라며 감탄하기도 했다.

켈리는 소녀시대 멤버들에게 오디션 절차 및 데뷔 전의 연습 과정 등을 물었다.

이에 멤버들은 “우리는 열 살, 열다섯 살에 연습을 시작했으며, 춤과 노래 등 모든 것을 연습했다”고 답했다.

이날 방송 출연에 소녀시대의 미국 현지 레이블인 인터스코프 레코즈의 날 제이 콥슨 AR 부사장은 “대단히 성공적”이라고 평가하면서 “이런 훌륭한 통로가 더 많이 생기기를 기대한다”고 말했다.

소녀시대는 앞서 지난달 31일 미국 CBS TV의 간판 토크쇼인 ‘데이비드 레터맨쇼 ‘에도 출연했으며, NBC TV의 연예정보 프로그램 ‘엑스트라 TV’와도 인터뷰했다.

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Man swallows dentures during sex and dies

A 74-YEAR-OLD man died after he accidentally swallowed his dentures during sex with a 62-year-old prostitute in Taiwan, reported Nanyang Siang Pau.

The man, known as Chen, had been living with a close female friend in New Taipei City after separating from his wife many years ago.

The prostitute said she had sex with Chen for 30 minutes.

She said Chen had got up from the bed, paid her and was about to put on his clothes when he suddenly collapsed.

“He fell back onto the bed. His eyes were open but he was not moving although I shook his body and tried to wake him up,” said the woman, who called the rescue team.

Chen was rushed to the hospital where he was pronounced dead. Doctors later found his dentures stuck in his throat.

The daily also reported that Hong Kong celebrity couple Andy Hui and Sammi Cheng plan to tie the knot in August.

Their birthdays fall in that month.

Hui’s elderly family members leaked the happy news to the media.

Hui, 44, and Cheng, 39, became good friends after they joined the same recording label in 1988 and embarked on their romance three years later.

Although the couple separated in 2004 after a 13-year relationship, they got back together last year.

The only bachelor of the four Cantopop Heavenly Kings – Aaron Kwok – was also reported to be marrying his model girlfriend Lynn Xiong Dailin in June.

It is learnt that the singer-actor has applied for two weeks’ leave in that month from his company.

Kwok is said to be planning his wedding overseas and only a few of his friends knew the location.

Other News Views is compiled from the vernacular newspapers (Bahasa Malaysia, Chinese and Tamil dailies). As such, stories are grouped according to the respective language/medium. Where a paragraph begins with this sign, it denotes a separate news item.

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‘K-Pop Star’ Park Ji Min Casted by SM

Seven and GD

Seven and GD on Set of “Even Though I Can Not Sing” Music Video Shoot

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Possible clash of the K-pop management titans

By Surh Jung-min, Music Correspondent

A screening of The Day, a documentary on the daily life of K-pop group JYJ, was cancelled Monday, prompting questions over the real reason for cancellation. JYJs management C-Jes Entertainment stated The Day was to be released in theaters on Feb. 9 in more than 20 CGV theaters. The relevant contracts had been signed. But on Jan 20, one day after initial reporting on the film, CGV unilaterally gave us notice of cancellation. C-Jes Entertainment also stated, We filed claims to the Fair Trade Commission and the Anti-Corruption and Civil Rights Commission on Jan 27. In addition, we are taking steps to file law suits.

Initially, The Day was to be shown on cable TV channel QTV, but this plan was also suddenly cancelled just a few days before the screening. In reaction to this, the film version to be shown in theaters, but this has failed as well.

CGV is an affiliate of CJ EM, which operates the music channel Mnet. As a result, suspicion has arisen amongst fans that companies could be minding SM Entertainment, members of JYJs former management.

In response, CGV explained, External pressure from SM Entertainment is nonsense. It added,There have been many internal issues such as not having had internal screening, therefore we made the decision to cancel the screening.

(Translated by Kim Joon-ki, Intern)

Please direct questions or comments to [englishhani@hani.co.kr]

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K-Pop Dominates Thai Music Charts

Seven and GD

Seven and GD on Set of “Even Though I Can Not Sing” Music Video Shoot

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K-pop still targeting American market


Girls’ Generation, undisputably the hottest K-pop star now, will appear on the “Late Show with David Letterman” today (Korean Standard Time).
By Noh Hyun-gi

K-pop stars have proven their influence in Asia — most of them taking their first steps entering the Japanese pop music scene.

Encouraged by the success in the neighboring country, the agencies — SM, JYP, and YG — are looking to the United States. Or rather, the agencies are once again eying the American market.

Surely, there exists a teen-driven market for stars like Justin Bieber and Senela Gomez. Still, even that niche is difficult to crack into, as seen in the case of BoA of SM and Wonder Girls of JYP. Yet the failed attempts are not stopping the star makers who are preparing to play the American game once again this year.

BoA pioneered the exporting of home-bred artists in 2001 with the Japanese version of her debut album “ID Peace B.” It took her a while to become a star in the island nation -she spent most of her career in Japan much to the Korean fans’ despair. SM tried to make BoA a star in America in 2009 with the album “Eat You Up.” Though the press and the agency hyped things up for the album and the music video’s release, the talk died down quietly — whether BoA was even noticed is questionable.

SM recently flaunted that Girls’ Generation got on the plane Monday to meet with multiple press like the Associated Press and E in America.

The group will appear on the “Late Show with David Letterman” at 1:35 p.m. today (KST) as well as “LIVE! with Kelly” at 11 p.m.
Though Girls’ Generation has been successful at translating the catchiness of their songs in Japanese versions, the English versions of their songs are ambiguous like the line in their title track, “The Boys,” which goes “Call all emergency; I’m watching the phone ring.”

The album ranked 22nd out of 25 albums on the Heatseekers Album chart on Billboard.

JYP, led by singer-songwriter Park Jin-young, has been channeling its American dream into the five-member Wonder Girls. Yet, the group’s ability to succeed in America is still dubious. In November, the artists came back to Korea briefly to release their official second album “Wonder World.” On various talk shows, the members confessed difficulty in learning English.

But the group is knocking on the door of the U.S. market once again. The group’s made-for-TV movie “The Wonder Girls” will premier on Feb. 2 on Teen Nick, a channel for teens. The movie will star a local girl group School Gyrl who also debuted with a movie on Nickelodeon, a TV channel for children. Little is known about School Gyrl outside their appearance on Nickelodeon.

Popular culture critic and professor at Kyonggi University, Jin Jong-hoon, told The Korea Times that K-pop is neglecting great marketing channels — global firms like Samsung and Hyundai are ubiquitous in America.

“K-pop artists can act as the promotional faces for global firms to benefit from collaboration,” Jin said. “Many people are well-aware of the products of such companies but honestly some are still confused whether they are Korean or Japanese.” By featuring in advertisements or campaigns with corporations who already aggressively target the United States, Jin believes K-pop artists can effectively approach the American audience.

Jin admits that K-pop artists are not likely to join the mainstream U.S. music scene. However, he believes K-pop can appeal to specific listeners who are seeking for alternatives similar to their performance in Europe. “K-pop will most likely be received as a temporary uniqueness.” According to Jin, to influence a culture, a newcomer must present advanced content and whether K-pop can offer that to American culture is questionable

Jung Duk-hyun, a culture critic, thinks music agencies’ efforts to tackle the global market deserve credit. “J-pop quickly demised because its suppliers relied on the domestic market. Japan has a substantial market already that the producers only target Japan.
However, makers of K-pop, well aware of the limited domestic consumption, have their eyes on the international market when they produce the songs and choreograph the dances. ”

Jung, like Jin, doesn’t believe that K-pop will become the next big sensation in America. “The artists are particularly well received in Southeast Asia because they are considered cultural products from ‘more developed’ countries, but this will not be the reaction in America.”

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A K-Pop Sensation Plays Letterman

By Robert Michael Poole


Zuma Press
Girls’ Generation in concert in Seoul. The band performs an English-language version of its hit single ‘The Boys’ on ‘The Late Show’ Tuesday. View photos

Girls’ Generation is performing on CBS’s “The Late Show With David Letterman” tonight, the latest inroad by K-pop into the U.S. market.

The nine-piece pop act, which already plays to packed concert venues around Asia, will sing an English-language version of their male-baiting single “The Boys,” which was co-written by Teddy Riley, famed for his work with Michael Jackson, Bobby Brown and Usher.

While Girls’ Generation has played in the U.S. before, the TV appearance marks a new level of mainstream American exposure for the group, and Korean pop in general, as its world-wide audience grows. SM, which manages Girls’ Generation, organized a Madison Square Garden concert in October that sold out. In November, Big Bang, a boy band, took the “World Wide Act” award at MTV’s Europe Music Awards, while MTV Iggy, which focuses on music from outside the U.S., named Korean group 2NE1 its “Best New Band in the World.” JYP, the agency that works with the Wonder Girls, is set to break a Teen Nick made-for-TV movie, starring the girl band, in February.

Continue reading on Scene

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The way of the ninja

Ysabelle Cheung gets behind the covert get-up of BBC Radio One DJ Jaguar Skills while he plots a break-in to Bruce Lee’s house

Jaguar Skills isn’t your typical international DJ. He’s made his name from purely promoting his well-honed DJ skills and has a loyal following of fans who like to scream ‘hoooooooo’ at him during concerts, where he wears a ninja mask and plays eclectic mash-ups of current tunes encompassing all genres of music. We speak to BBC Radio One’s resident ninja about masks, music and breaking the law…

Hi Jaguar. First off, can you explain the whole ninja thing to us?
I was an illustrator before and I came up with this character as a drawing. What’s cooler than having a superhero ninja DJ? I was DJing for two years under Jaguar Skills and then I just thought ‘why don’t I just dress this way?’ Wearing masks is super-fun. It’s interesting how people react to you.

How did you get started?
My dad was a DJ and I grew up surrounded by hundreds of records. I was never good at anything else apart from music. I was doing clubs and little bars and stuff in London and then I went to Spain. And I hooked up with Pacha in Ibiza. I was a resident for four years and that was amazing. Then I came back to England and got a job on Radio One.

What’s been your most unique experience so far?
My gigs in England lately have been massive, real big. All the festivals are just amazing. They’re so up for it, people are so ready to party! Everyone’s completely off their faces. For my tour last year, I went all over America and Australia and Japan. It was a dream come true. And the thing is… I’d DJ for free anyway, so being paid for it and being able to travel around the world is amazing.

So, Toolroom Knights (a compilation series from Toolroom Records)… what are five of your favourite tracks from your mix?
Shit, I don’t even know what I’ve got on there! I really love this track called War Face Curse, a giant bass record. I did this version of Strings of Life, which I really like, but I don’t think anybody else does. What I wanted to do with it is take you on a journey through hip-hop beats to some house beats to some dubstep and then drum ‘n’ bass, within five minutes, you know, and not have it fuck your ears up. I don’t want to limit myself to just one style.

Do you have any guilty pleasures?
Oh man, I love 80s pop music. If I could do a whole night of 80s pop music, I would. What else? I kind of love the shit power ballads… I also listen to a lot of TV theme tunes. I try and collect TV theme tunes. I sound super-nerdy.

Nah, you don’t! But… what’s your take on the K-pop, J-pop, and Cantopop music genres?
I once saw this group − they were called AKB48. There’re 48 girls. That’s crazy. You can buy like 48 different album covers.

What’s happening with your own music at the moment?
I do so much work on the radio and I do all these mixes all the time, I haven’t really had any time to make any of my own music. I’ve just started working on it this month. At the moment it’s like basically everything from hip-hop to electro to dubstep to drum ‘n’ bass. I’ve made a couple of really wicked tunes and hopefully in a couple of months it’ll be done. You know, I’ve DJed next to real big DJs who have got songs out, and they can’t DJ. They haven’t got the skills. I think with my DJ skills and some wicked tunes, that’s the winning formula.

Did you party hard for Chinese New Year?
I’m gonna celebrate it now that you’ve told me. Didn’t ninjas come from China, originally?

Er, no…
You know what, I DJed once before with Mark Ronson about five years ago in Hong Kong. That was quite cool. But it was in and out. I wanted to go see Bruce Lee’s house. I was just going to walk past it and then…

Use your ninja skills to break in?
Yeah, yeah, you and me could break in. We should do it. I’ll bring a mask for you!

It has always been a life-long dream of mine to do that.
But I’m really looking forward to Hong Kong. I feel very lucky indeed. I’m going to Cambodia and Korea and Thailand…

You have to check out the world-famous transvestite show when you’re over there.
[Laughing hysterically] Did you go to the ping-pong shows? Are they real?

Of course they’re real! You should check them out too.
[Still laughing] Maybe I will…

[Editor’s note: Well, we know ninjas aren’t from China. But ping-pong shows are for real. We swear…]

Catch Jaguar Skills spinning an eclectic set of mash-up tunes at Fly on February 11. Tickets: $150 with RSVP. 
Click
here for more event information.

 

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Take leaf out of Tsang’s book

You know the world is in big trouble when Hong Kong’s top finance official recommends reading books on understanding financial crises.

In a magazine interview, Financial Secretary John Tsang Chun-wah suggested four books that would give readers an understanding of current economic problems affecting the world.

This Time Is Different: Eight Centuries of Financial Folly by Carmen Reinhart and Kenneth Rogoff was his first pick.

He also suggested The Holy Grail of Macroeconomics: Lessons from Japan’s Great Recession, From Asian to Global Financial Crisis and When Markets Collide.

But it’s not all gloom and doom. Tsang says he is a fan of Chinese martial arts novels and revealed that he attended a concert by Cantopop star Aaron Kwok Fu-shing.

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Sammi Cheng rocked thousands at RWS

Guests who were invited to a gala event organised by Resorts World Sentosa were not only treated to a banquet dinner, but also to a special performance by Cantopop queen Sammi Cheng.

The Hong Kong singer, who was in town on Jan 27 and 28 by special invitation, staged two nights of performances for thousands of the resort’s VIP guests.

Cheng rocked the stage with popular Mandarin ballads “Zhi De” and “Zhong Sheng Mei Li”, as well as upbeat dance songs such as “Chotto”, “Ding Ding Dang” and “Forgiveness”, which features American-born Chinese rapper MC Jin.

Although Cheng performed for slightly less than an hour, the audience at Compass Ballroom were wowed by her overwhelming performance, with some even singing along softly to “Zhi De”.

Photographer Miss Eunice Lim, 27, said that Cheng was very professional while performing, and spoke in Cantonese to the audience in between songs. She also responded to screams or waves from her fans.

“The whole ballroom came alive when she arrived on stage. The performance was awesome and the audience was high the entire time,” said Miss Lim.

klim@sph.com.sg

Click on thumbnail to view (Photos: Resorts World Sentosa)





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