Latest Headlines
0

Girls’ Generation and the new Korean wave

How pop groups are manufactured, reports Asia Sentinel

As carefully as Korea, Inc. manufactures cars, televisions, containerships and washing machines, it is using those techniques to manufacture pop stars, according to a research paper by Ahn Shin-Hyun for the Samsung Economic Research Institute.

The focus of Ahn’s paper is Girls’ Generation, a group of nine young women who are in large part responsible for spreading demand for K-pop, as it is known, beyond Japan and Southeast Asia to include North and South America, Europe, and the Middle East.

Since Girls’ Generation made its debut four years ago, the singing group, who aren’t rock musicians, grabbed the audience with striking black outfits and boots and tight choreography.

Girls' Generation

South Korean girl group Girls Generation perform during the Korean Music Wave concert in Incheon, South Korea, in August. Pic: AP.

In fact, the strong reception for Girls’ Generation in Tokyo should come as no surprise. It was built on training as rigorous as the country’s notorious hagwon, or cram schools, that have students studying so deep into the night that the country recently passed a law making it illegal to do so after 11 p.m.

The nine members of Girls’ Generation were groomed carefully for three to seven years at SM Entertainment, Korea’s largest talent agency and its principal star maker, before they ever hit the stage, according to Ahn. In grooming its potential stars this way, Korea is following in well-worn footsteps going back to at least the UK’s Spice Girls, who were regarded as having been created out of opinion surveys and careful merchandising rather than arising from their artistic talent. So-called Cantopop singers are developed in the same way in Hong Kong

Korea pays more relentless attention to such details.

“In the case of Girls’ Generation, rumors were already afoot that this new group would be ‘super girls’ even before they appeared in public,” Ahn writes. “The group released a debut single, ‘Into the New World,’ sporting wardrobes that ranged from school uniforms to roller skates.”

READ MORE HERE

0

The Korean invasion: New Yorkers are screaming for the new wave of pop stars

Sunday, October 23rd 2011, 4:00 AM

Boy band SHINee hits the stage.

The symptoms are uncontrollable shrieks, intense heart palpitations, soaked palms, speaking — and squealing — in foreign tongues.

Now arriving in New York City: The South Korean phenomenon known as “hallyu,” or “Korean Wave.”

Already a craze in Asia, the wave has opened the floodgates of K-Pop in France, Brazil, Germany and Australia. Now it’s about to take over New York.

Fans will pack a sold-out Madison Square Garden Sunday night for a concert presented by SM, one of South Korea‘s biggest record labels. The lineup: Girls’ Generation, f(x), BoA, Kangta, TVXQ, Super Junior and SHINee.

If you don’t know the names, don’t worry. Think of the show as a combination of the annual Jingle Ball extravaganza and a big helping of Seoul Train.

And if fans are pumped, so are the performers.

“It is absolutely a dream come true,” Tiffany Hwang, 22, one member of Girls’ Generation told the Daily News. “I’m so excited. All I’ve been looking forward to was this weekend for a pretty long time.”

A previous SM concert in Paris sold out in under 15 minutes. A second show was added and tickets went in less than 10 minutes.

Korean pop has been causing a frenzy in NYC, too.

On a recent Monday afternoon, hordes of fans outnumbered tourists in Times Square, holding colorful cardboard signs outside of MTV’s TRL studios. The cheers weren’t for Katy Perry or Justin Bieber, but for a group of South Korean acts including B2ST and 4 Minute. One fan issued a familiar cry.

“Oh my God, this is a dream come true!” exclaimed Nicole Asmat, 19, who was part of the lucky audience inside TRL studios. A flood of tears drenched her face after one of her favorite stars held her hand from the stage.

“I haven’t seen this in years,” Peter Griffin, executive vice president at MTV said while peering at the crowd outside. “It reminds me of when ‘N Sync was here and the fans lined up around the studio.”

Just one day earlier, 40,000 fans screamed as K-Pop heartthrobs 2PM and TVXQ, among others, performed at the New York Korean Festival in Overpeck County Park in Bergen County, N.J. The next morning residents complained to authorities about the crowd noise.

“They mean so much to me. I started dancing again because of them,” Ana Ciprian, 15, shrieked from her seat, wildly clapping her hands.

Others, like Katerin Morales, 21, traveled from Texas to get her up-close and personal dose of K-Pop. “I’m having a moment,” she said, her left hand covering her mouth. “They’re so far away that I never thought I’d see them.”

Ashley Diomedi, 20, drove eight hours from Virginia; Kharla Salazar, 22, took a red-eye flight from Miami; Virgine Cote and five of her friends traveled from Quebec.

“Korean pop stars are beautiful, and I love them because they care so much about their fans,” said Cote, sporting a bright shirt with the words SHINee — her favorite band — emblazoned in bold letters, while tugging on her art book, filled with sketches of Korean celebrities.

“We don’t have singers like them in Canada.”

0

S’porean hopefuls vie to be next K-pop star

S’porean hopefuls vie to be next K-pop star
By Alvina Soh |
Posted: 22 October 2011 2255 hrs

 
K-POP Star Hunt audition in Singapore
 



 
 
 

 Video




S’porean hopefuls vie to be next K-pop star




 



SINGAPORE: Two superstar hopefuls will soon be one step closer to realising their dreams of being the next Korean pop sensation, after a two-day intensive audition over the weekend.

They will join eight other candidates from regional countries in the final showdown of the K-POP Star Hunt contest in Korea early next year.

For 23-year-old contestant Maressa Zahirah, it was a love for Korean dramas that got her hooked onto Korean music.

The mass communications graduate, who also took part in Singapore Idol last year, even signed up for Korean language classes.

She said: “My whole iPhone is filled with K-pop songs, there’s no English songs at all. It’s been my interest to sing for a long time, so to have a new genre is something different for me”.

She, along with some 500 K-pop fans signed up for the competition.

“Recently the Korean entertainment industry boomed, and I thought maybe I’ll try something new and blend myself in,” said one male contestant.

“I got into K-pop since 2005, 2004. I really look up to the way they perform. They sing and dance really well,” said another contestant.

A Malay contestant said: “I just like the groove of it; it’s different from American pop style.”

The contestants impressed the judges with their song and dance routines.

“The calibre of this contest was really amazing and what I really like is that the contestants took this contest very seriously and the kids are really putting their all into this. I wish that they would study as hard as well,” said contest judge Irene Ang.

On Sunday, two talented individuals will be chosen to represent Singapore in the regional competition which will take place early next year.

The competition is organised by tvN, a Korean television network, and entertainment management company, CUBE Entertainment.

- CNA /ls

<!– Zone Tag : Channel News asia In Text

innity_pub = “66368270ffd51418ec58bd793f2d9b1b”;
innity_zone = “12251″;
innity_width = “**”;
innity_height = “**”;
innity_country = “SG”;

–>

0

K-Pop Music Fest in Sydney 2011K-Pop Music Fest in Sydney 2011

GET READY FOR A NEW COMPETITION!

We have signed CDs from all the groups in our line-up, and we’re giving them away! Two lucky people will win a randomly chosen signed CD every day for the next seven days!

The competitions begins from midnight tonight!

All you have to do is SHARE this message! That’s it! The more you promote, the higher the chance to be picked as the winner of the day!

As well as this, anybody who purchases a Silver/Bronze ticket throughout the next seven days will also have the chance to win!

Follow this link to grab tickets!
http://premier.ticketek.com.au/shows/show.aspx?sh=KPOP11

Remember that there will be two winners every day! Sharing will enter you for that day, so share it every day for the next seven days for the best chance to win!

Good luck everybody!See more

0

K-pop: Born in Korea, headed for the USA

Korea k pop music 2011 10 20

TOKYO, Japan — When Rain, South Korea’s most successful pop star, reported for national service duty at an army base near Seoul earlier this month, the hundreds of fans who bid him farewell included a big contingent of Chinese and Japanese women.

Rain is not alone in enjoying the adulation of admirers from beyond his own country’s borders.

In the space of a decade, South Korean pop has risen from relative obscurity to sweep the entire Asian continent, and is now casting its eye on the potentially lucrative U.S. and European markets.

From Beijing to Bangkok, “K-pop” artists are riding a wave of interest in Korean music, TV dramas, films and games that are expected to be worth $3.8 billion this year, up 14 percent from last year, according to the Korea Creative Content Agency.

The catalyst was the removal of strict domestic censorship laws that saw Korean TV programs appear in China, Japan and Southeast Asia in the late 1990s.

Lingering historical animosities between Seoul and Tokyo coexist with an insatiable appetite among young people in both countries for the other’s pop culture.

Korean bands such as Girls’ Generation and TVXQ have succeeded in Japan, a notoriously tough market for foreign performers.

The K-pop phenomenon has also spread to Taiwan and China, as well as Thailand, Vietnam, the Philippines and Malaysia.

The genre’s incredible growth has not happened by accident. Talent agencies and management executives invest huge sums to train promising new acts. Every last detail must be perfect, from their sculptured physiques to their ability to converse in the language of the target countries.


“K-pop bands have made an incredible effort to learn the rules of the game, they do all the right commercial endorsements and appear on the popular music shows,” says Steve McClure, the Tokyo-based editor of McClure’s Asia Music News.

“They have come up with a very marketable product that fits the Japanese template for idol pop. If any Asian artist is going to make it internationally, it will be a Korean.”

Many believe that true international success will only come if K-pop cracks the U.S. market. While tickets for two recent concerts in Paris organized by the South Korean production company, SM entertainment, sold out in minutes, the United States is still relatively uncharted territory.

A gauge of how receptive American audiences are will come this weekend when SM Entertainment’s headline acts, including Girls Generation, Super Junior and Shinee, will perform in a six-hour concert in Madison Square Garden on Sunday.

“As Madison Square Garden is the mecca of American pop culture, the global brand power of the popularity of SM’s musicians hitting the heart of New York City will be reconfirmed in the concert,” the company said in a statement.

But some K-pop aficionados aren’t convinced the gamble will pay off.

“K-pop has a tough time making it in America because it strives to differentiate itself from its American counterpart, but at the same time, looks and sounds too much like it,” Amy He, the managing editor of Seoulbeats, wrote in a recent opinion piece for the Korea Herald.

“American audiences aren’t interested in consuming a distilled version of their own pop.”

The investment in Japan makes sound economic sense, however. The country has a 22 percent share of the global music market — second only to the United States — according to the International Federation of the Phonographic Industry. CD sales in South Korea, where high-speed broadband penetration encourages file sharing, are one-thirtieth of those in Japan.

In Japan, the arrival of a slew of K-pop artists, notably Girls’ Generation, TVXQ, and Kara, has drawn unfavorable comparisons with domestic pop offerings.

The nine members of Girls’ Generation are more overtly sexual and exude a maturity that contrasts with the cutesy image of their J-pop counterparts.

Compare, for example, the former’s Mr Taxi with the saccharine sound of the Japanese girl band of the moment, AKB48.

The young women who make up the bulk of K-pop’s Japanese fans say Korean performers embody qualities that seem to be missing in their Japanese counterparts.

“The Korean girl bands look more professional,” says Kaori Kitakata, a 28-year-old office worker in Tokyo who indulges her passion by making occasional trips to Seoul.

“Japanese singers are more like the girl next door in the way they sing and dance, but Korean singers are better trained and more sophisticated.”

Korean artists, she adds, appear less diffident than J-pop groups about their Asian identity. “J-pop female bands are cute, but in a very Japanese ‘kawaii’ way. K-pop singers have a more Asian feel to them. That appeals to me. And their fans here really appreciate their attempts to learn Japanese.”

No one epitomizes those efforts better than BoA, who in 2002 became the first Korean act to break into Japan after Seoul lifted restrictions on barriers to cultural exports between the two former enemies.

She is the only foreign artist in Japan to have 2 million-selling albums, and only of only two female singers to have had six consecutive No. 1 albums in the definitive Oricon charts. “She’s now considered a domestic artist in Japan,” says McClure. “That’s the ultimate in localization.”

The Korean wave gathered momentum with the arrival of TVXQ, who have released five albums in Japanese. Their most recent, “Tone,” sold more than 200,000 copies within the first week of its release.

As Rain begins his 21 months of national service, he can be reasonably assured that the K-pop wave will still be in motion by the time he returns to the stage.

http://www.globalpost.com/dispatch/news/regions/asia-pacific/south-korea/111020/k-pop-japan-thailand-korea-music-culture

0

Weekly K-Pop Music Chart 2011 – October Week 4

Weekly K-Pop Music Chart 2011 - October Week 4

The Brown Eyed Girls has repeated as No. 1 with their latest hit “Sixth Sense”. Despite missing in action as a group for nearly two years, the quartet did not miss a beat with their recent comeback and reclaimed their spot not only on top of the chart but also as one of the top girl groups in Korea. BEG again denied Infinite’s “Paradise” this week, actually widening the gap in scoring – both songs had fewer points than last week, but “Paradise” dropped more.

Huh Gak’s “Hello” dropped to No. 6 last week but jumped back three spots to No. 3 this week, becoming the song’s highest ranking and also Huh Gak’s first top three hit.  The gap between “Hello” and the top two songs, however, is more than 200 points.

There is only one new entry to the top 10 this week and it is a brand new song.  Wheesung’s “Here They Come” comes in at No. 6. This is a very special song for Wheesung as he is set to enter the complusory two-year military service in early November. Wheesung was planning to promote this song until his enlistment. However, health reasons ended his comeback prematurely as soon as he started his promotion. Korea will be without one of their top male vocalists for the next two years. We wish Wheesung to get well soon and will look forward to his comeback in two years.

 

SOOMPI CHART for 2011, Month 10, Week 4

1. (–) Brown Eyed Girls – Sixth Sense ***2nd Week @ No. 1***
Score: 916
Genre: Pop/Dance

Music: Lee Min Soo / Lyrics: Kim Ina
Album: Brown Eyed Girls Vol. 4 | Purchase this Album
Watch: MV

 

2. (–) Infinite – 파라다이스 (Paradise)
Score: 849
Genre: Pop/Dance

Music: Kim Seung Soo, Han Jae Ho / Lyrics: Song Soo Yoon
Album: Infinite Vol. 1 Repackaged Version | Purchase this Album
Watch: MV

 

3. (+3) Huh Gak – Hello
Score: 642
Genre: RB Ballad

Music: Choi Gyu Sung, Rado / Lyrics: Choi Gyu Sung, Rado
Album: Huh Gak mini-album Vol. 1 | Purchase this Album
Watch: MV

 

4. (+4) Clover – 아는 오빠 (Oppa I Know)
Score: 615
Genre: Hip-Hop

Music: Keeproots, Gilmi / Lyrics: Clover
Album: Clover digital single “Oppa I Know”
Watch: MV

 

5. (-1) Kara – Step
Score: 597
Genre: Pop/Dance

Music: Kim Seung Soo, Han Jae Ho / Lyrics: Song Soo Yoon
Album: Kara Vol. 3 | Purchase this Album
Watch: MV

 

6. (new) Wheesung – 놈들이 온다 (Here They Come)
Score: 584
Genre: RB Ballad

Music: Kim Do Hoon / Lyrics: Wheesung
Album: Wheesung Mini-Album | Purchase this Album
Watch: MV

 

7. (-4) Davichi – 안녕이라고 말하지 마 (Don’t Say Goodbye)
Score: 556
Genre: Pop Ballad

Music: Jun Hae Sung / Lyrics: Jun Hae Sung
Album: Davichi Mini Album – Love Delight | Purchase this Album
Watch: MV

 

8. (-3) Sung Shi Kyung – 난 좋아 (I Like)
Score: 528
Genre: Pop Ballad

Music: Hwang Se Joon, Sung Shi Kyung / Lyrics: Lee Mina
Album: Sung Shi Kyung Vol. 7 | Purchase this Album
Watch: MV

 

9. (–) Ali – 뭐 이런게 다 있어 (How Can There Be Such A Thing)
Score: 527
Genre: RB Ballad

Music: Choi Joon Young / Lyrics: Choi Joon Young
Album: Ali digital single “How Can There Be Such A Thing”
Watch: MV

 

10. (-3) Super Junior – A-Cha
Score: 522
Genre: Pop/Dance

Music: Hitchhiker / Lyrics: Kim Boo Min
Album: Super Junior Vol. 5 Repackaged Version | Purchase this Album
Watch: MV

 

 

 

THIS WEEK IN 2008:

In this segment we go back in time to re-visit charts of the same week in past years. The Soompi music chart began in January 2005. At first we had only 20 songs and was later expanded to 50 songs.

Three years ago this week, it was the last time DBSK hit No. 1 in Korea as a five-membered group with “Mirotic”. The song spent three weeks on top of our chart and was one of DBSK’s most successful hit songs in our chart. At that time, DBSK was at the peak of their career and they were already considered one of the best boy bands Korea has ever had.

Once a five-membered group, DBSK has split into two separate units now.  Jaejoong, Yoochun, and Junsu had a bitter contract dispute with SM Entertainment and the trio left and formed JYJ. The other two members Changmin and Yunho continue to perform as a duo under the name of DBSK. Both DBSK and JYJ came back this year with new albums and enjoyed great success.  Fans still hope that one day all five members will re-unite again and perform together, but it doesn’t look like this is going to happen in the near future.

External from soompi image

Let’s revisit Mirotic’s MV and cherish our memories of DBSK as a five-membered group.

 

 

About the Soompi Music Chart:

Soompi Music Chart is unlike any other music charts or television rankings.  It takes into account not only sales and rankings by various other charts in Korea, but also airplays of each song, the number of live performances and appearances, making it an unbiased and objective tally of what’s going on in the world of K-pop.  Our chart is composed of the following sources:

Air Monitor Chart - 15%
GAON Music Chart – 15%
Various Internet charts (Olleh, Bugs, Melon, Naver, Monkey3, Daum, Cyworld, Soribada) – 15%
ChartKorea - 5%  
Hottracks Weekly Album Sales (1 weeks lag) – 10%
SBS (Inky Gayo Take 7 + SBS Miil weekly rankings) – 10%
MBC Inky Top 100 Chart - 10%
KBS Music Bank K-Chart - 10%
 
MNet M!Countdown – 5%

Gasoo appearance on gayo shows  (MBC Music Core, SBS Inky Gayo, KBS Music Bank, M!Countdown) – 10%

Thanks to Mardi09 for helping on this week’s internet chart research and motoway065 for song title translations.

0

SNSD on their new concept, their past, and future plans

SNSD, who was once referred to as the nation’s dongseng girl group, has grown up and tossed aside their aegyo image. The girls, who used to sing “I love oppa” in their songs, have matured to a point where they can confidently tell “The Boys”, “I’ll lead you.”

This transformation comes as no surprise, since the girls are about to make their debut as a world star through their 3rd official album, which was released on October 19th. In addition to their songs being sold all over the world through iTunes, their single will also be released in the U.S. in November through Interscope Records.

Still, the girls who came in for the interview were as cute and lovable as ever, and they were brimming with a natural self-confidence. They stated, “We really like transformations,” and that “We were the one who insisted on doing the more powerful dances in this song. We want to show [a SNSD] who continuously grows and matures.”

Check out the interview they had with OSEN down below!

Q. What are thoughts about the release of the 3rd album? It was a little delayed.

Taeyeon“SNSD has received a lot of love from all over the world. We prepared this album in return [for all the love].”

Sooyoung“We were a little disappointed about the delay in our comeback since we, in our hearts and minds, were ready. But, since the delay was because of the venture into the U.S., it was all good. I think this will be a meaningful comeback.”

Q. You worked with the famous producer Teddy Riley. How did you feel?

Sunny“He brought a comfortable atmosphere. Rather than putting in special requests, he just told us to sing. He catered to the members, so a lot of the members’ individual colors were incorporated.”

Seohyun“He complimented us a lot while we were recording. He also danced to the song.”

Q. Are you satisfied with your title song, “The Boys”?

Tiffany“SNSD’s songs hardly have any raps. This was our first time showing off our rap skills, so we were really anticipating it. I think the song came out well, so I’m very pleased. Instead of SNSD’s usual lively and girly image, we are anticipating that a more mature and cooler image will be shown [through this comeback].”

Q. The choreography has become more powerful.

Sooyoung - “We tried hard to make it match the song, however, it’s not as aggressive or powerful as we thought initially. The ‘going down’ movement during the rap portion came about because there needed to be an impact at that point. The choreography team was trying to decide whether or not to include that move, but we insisted that we’d do it. They asked if it would be okay to just have 4 of the members do it, but all the members stated that they wanted to do it.” (laughs)

Q. What did you emphasize the most in this 3rd album?

Sooyoung“We tried to branch out so that we wouldn’t be limited to just one genre. If you listen to the album as a whole, you’ll see that rather than just a catchy hook phrase, the overall composition [of the song] is done well. Our vocals were heavily emphasized as well.”

Q. This was the first time that Sooyoung composed.

Sooyoung“I thought about what it would be like if there was someone who gave me such immense love. If there is someone who gives you a lot of love, this is a song you can listen to while you think of that person.”

Q. I’ve heard that you are studying a lot about composing and producing, but your ideas don’t seem to be included a lot.

Tiffany – “I composed the English rap in “The Boys”.

Taeyeon“I’m practicing a lot, but they are very strict. They don’t give us any advantage because we are SNSD members. We have to compete on the same playing field as regular composers and producers.”

Q. “The Boys” image was surprising because it is much stronger than the usual SNSD image.

Sunny“The lyrics’ [meaning] are up to the interpretation [of the listeners']. Rather than just the simple meaning of girls giving boys support, it can be interpreted in many ways. The girls could be telling the boys that we’ll take the lead, giving off a more tough image. It could also be interpreted as girls telling the boys to get their act together and cheer up. (laughs) The song is also aims to give courage to people, whether they’re girls or guys, who are tired out [by life].”

Seohyun“With every album we release, we want to show you our growth. During the 1st album, we wore tennis shoes and showed you a young girl image. After that, we wore a white T-shirt and jeans like a college student. For this time also, we want to grow musically as well as in other areas.”

Taeyeon“We really like transformations. I think fans also want to keep seeing different sides of us as well.”


Q. You have accomplished a lot in the past year. What is it that you remember?

Seohyun“Japan tour. Personally, I think I have learned a lot about how to enjoy the stage. I think I learned how to collaborate with fans for the first time. The collaboration between ourselves has gotten even better also.”

Tiffany - “During the Arena Tour, which had all of us traveling together for 3 months, the members spent a lot of time together and conversed a lot. It was another chance for [our friendship] to be strengthened. We ate yummy food and went to a hot spring, just as if we were on a field trip.”

Jessica“The concert in Paris is memorable for me. Paris is my dream city.”

Yuri“I also remember Paris the most. It was very sentimental. People with hairs of all different colors were singing along to Korean lyrics. Just the fact that they knew who we were made it so enjoyable.”

Q. What are things you want to accomplish in the future?

Taeyeon - “To hold our own concert at Japan’s Tokyo Dome.”

Tiffany“I want to try a world tour. I want to visit South America.”

Q. You must feel a sense of responsibility as a representative of Korean singers.

Yoona“There is a sense of responsibility and pressure, but we are thankful that people see us as leaders. We don’t set up a goal and say ‘we have to achieve it’. Rather, we just enjoy each moment and try to bond with each other more. I think that’s why good things have been happening. We are honored to be a part of this great time period to let more people know about K-Pop.”

Q. Have you made a goal for your venture into the U.S.?

Tiffany“Of course we have goals and anticipations, but we think that even having the opportunity to challenge ourselves is meaningful in itself. Rather than a venture, we just want to pay back our fans.”

Q. It seems that you might have to promote with Wonder Girls.

Taeyeon“I’m very curious, what kind of song will they come out with? I have a friend within the group, so I think I’ll be glad to see her.”

Q. When rookie girl groups debut, they are often compared to SNSD. You are brought up a lot.

Seohyun - “To make us even a subject of discussion is an honor for us. Honestly, even when people say ‘SNSD, you’re amazing’, I’m still not sure. (laughs) So I think that I really have to try even harder.”

Q. You are quite a ‘sunbae['senior'] group now.

Yoona“It’s not because we’re getting old, it’s because many young girls have been coming out. (laughs)”

Yuri“I was in the waiting room while serving as the MC for MBC‘s ‘Music Core’ when hoobaes came to greet me with their albums. It feels like it we had been doing just that just a few days ago, so it was a weird feeling.”

Sooyoung“Truthfully, we didn’t have much of a chance to see sunbae female singers’ performances. We saw Lee Hyori sunbae, Beyonce, and Christina Aguilera‘s concerts, but we heard that the hoobaes these days want to see SNSD’s performance. They also said they were influenced by us. It was a very weird feeling, but at the same time made us very proud and happy.”

Q. What has been the past 4 years like for SNSD?

Sunny“To be honest, we didn’t know anything in the beginning and just went for it. As time passed, we started to develop a know-how. However more time passed, and we thought ‘Ah, there really isn’t a trick to all this’. But we were very proud and happy that we have been able to achieve a lot of things during the 4 years. Rather than thinking about the past 4 years, we are trying to figure out how to move forward.”

Source + Photo: Osen


0

Fans Accuse K-pop Group of Plagiarizing "Macross F"

Girls’ Generation’s new song “The Boys” proved quick to evoke a response from anime fans. Within an hour of its release, it had already kicked off a controversy with members of influential Japanese online forum 2CH accusing the Korean pop group of plagiarizing “Pink Monsoon,” sung by May’n (May Nakabayashi ) as the sci-fi idol character Sheryl Nome in Macross Frontier.


Korean pop music site Scoopi reports that after the controversy spread through other online outlets, the more general consensus was that while “The Boys” and “Pink Monsoon” were similar, plagiarism was unlikely. 

 

According to the Girls’ Generation’s fans, “It is not possible to talk about plagiarism. This song is by Teddy Riley, a famous American producer, how can you say that Riley stole from ‘Pink Monsoon?’”The Korean netizens commented, “It is clear that the Japanese seem tired of the Hallyu stars, but they exagerated with the plagiarism story.”

 

What do you think?

 

0

"2011 K-Pop Music Fest in Sydney" Ramps Up Promotions

2011 K-Pop Music Fest in Sydney Ramps Up Promotions

With just three weeks until K-Pop’s hottest idol groups come to meet their fans in Australia, “2011 K-Pop Music Fest in Sydney” steps up on its promotions to build anticipation for the event.

The all-star concert’s organizers, JK Entertainment has recently released another promotional video with short glimpses of participating groups 2AM, 4minute, BEAST, CN Blue, DBSK, Kara, MBLAQ, miss A, Secret, SHINee, SISTAR, and SNSD set to BEAST’s “Shock” and SNSD’s “Hoot.”

A full promotional video is also uploaded on JK Entertainment’s Youtube channel, splicing in a previously released video of Kara, BEAST and SNSD personally inviting their fans to come see the performances at ANZ Stadium in Sydney on November 12.

“2011 K-Pop Music Fest in Sydney” is co-presented by the Korean broadcast network MBC.

0

Pursuing her dream… in Korean

Sarah Costner, 20, of Albany was sitting on a plane heading to
Los Angeles in late September. She had her headset on and was
learning a song for the second round of SBS K-Pop Star, a Korean
music competition similar to American Idol.

Costner heard about the competition online and decided to look into
K-Pop. She quickly found out that she loved the music.

“I heard the song ‘Sorry, Sorry’ by Super Juniors and started
dancing to it,” she said. “I just completely fell in love with
South Korea.”

While she was researching K-Pop, Costner ran across information
about SBS K-Pop Star and decided to compete for a spot in the
competition. She sent in a demo of her singing an English song and
was told she made it to the second round, which was held in Los
Angeles on Sept. 25.

Two days prior to the second round of competition, she received her
song, “Should I Confess” by Soyu of Sistar. She spent those two
days studying the music and exactly how to sing the song in
Korean.

At the competition in Los Angeles, she practiced with someone who
knew the song better than she did.

“I stood up to sing for her one more time,” Costner said. “I
started to sing and everything was completely silent. The sound
echoed throughout the whole entire gym. I felt like I was on top of
the world.”

When she opened her eyes, she saw the camera was pointed to her and
everyone was clapping and singing.

“It was like I was famous for five minutes. It was a Cinderella
moment for me.”

Soon she went in front of the judges and sang her Korean song. They
also asked her to sing a song in English.

“I knew I messed up on the song. The judges told me that I would
have a hard time learning the Korean songs for the show which was
very fast paced,” she said. “They told me to try out for American
Idol or something else where I can sing in English.”

Though Costner didn’t make it past the second round of competition,
she has no desire to give up her love for South Korea.

“I plan to get a teaching degree in English and teach in Korea,”
she said.

She hopes to start studying at LBCC within the next year. She also
spends a lot of time studying the Korean language and talks to
friends she has made in South Korea.

Costner plans to take the advice of the judges and audition for
American Idol next season.