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K-Pop Stars Girls’ Generation to Appear on Letterman, Kelly

January 26, 2012

By Rob Schwartz, Tokyo

The leading Korean pop, or K-pop, girl group Girls’ Generation (Interscope) has scored a huge PR coup with planned appearances on two major American TV shows.

The 9-member outfit will make a 5-minute appearance on The Late Show With David Letterman on Tuesday, Jan. 31. They will perform “The Boys,” the title track from their third full-length album, according to their agency SM Entertainment.

In addition, the band will perform and be interviewed on Live! with Kelly on Wednesday February 1.

Girls’ Generation will become the first Korean band to appear on a mainstream US talk show on terrestrial TV, according to SM Entertainment.

Girls’ Generation has been making a US push recently. The band headlined an SM Entertainment produced “SMTown” artist showcase at Madison Square Garden on October 23. The show attracted a sellout crowd of 11,439 and grossed $1.6 million, according to Billboard Boxscore.

The US is just catching up on an international phenomenon. Girls’ Generation appeals to a huge international fan base. Their hit single “Gee” has amassed over 64 million YouTube views worldwide.

In addition, the band has already had tremendous success in Japan. Their single “Mr. Taxi” (UMJ) topped Billboard Japan’s Hot 100 chart on May 16, while the album of the same name reached No. 1 on the Billboard Japan Top Albums chart on June 13.

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Celebrating the opening of oriental residence Bangkok – eTravelBlackboard

Oriental Residence Bangkok opened its doors on 23 January 2012, and sets new standards for luxury residences. Offering contemporary interiors, bespoke amenities and exceptional, personalised services, the property is managed by ONYX Hospitality Group, whose management portfolio includes the hotel group Amari, amongst other brands.

Oriental Residence Bangkok is located on Wireless Road, a well-known, uniquely landscaped central area of the Thai capital. Set within an iconic 32 storey building, the property comprises 46 private ownership units and 145 serviced residence ranging from 41 Executive Deluxe, 70 One-Bedroom Suites, 30 Two-Bedrooms Suites and 4 Three-Bedroom Suites.

A sense of understated elegance permeates the stylishly appointed residences, ranging from executive deluxe and one-bedroom through three bedroom residences, each showcasing distinctive residential décor, artistically directed by Chanintr Living, Thailand’s leading retailer of luxury home furnishings. Ranging from 45sqm to 188sqm in size, the residences feature polished hardwood floors, stylish imported furnishings and fixtures with expansive vistas of the city.

“We are very excited to be able to fully showcase our property for the first time”, said Patrick Schaub, General Manager. “Oriental Residence Bangkok aims to become one of the leading properties in the city and our exemplary standards of personalised service will enhance Thailand’s world renowned reputation for warm hospitality.”

To mark its opening, Oriental Residence Bangkok is offering an exciting selection of special promotions featured on www.oriental-residence.com.

Dining options at Oriental Residence Bangkok include Café Claire – an all-day dining restaurant that provides boutique dining experience and offering gourmet comfort food made with premium ingredients, and Mandopop, an innovative Chinese dining venue showcasing modern presentations of traditional Cantonese, Sichuan, and Hakka dishes. The signature restaurant combines authentic Chinese cuisine against a stylish modern-day Chinese pop culture setting.

The Play Deck on the 4th floor of Oriental Residence Bangkok offers an elegantly inviting open area for exclusive relaxation and recreation. Facilities include a Fitness Room with state-of-the-art TechnoGym equipment, a 20 metre swimming pool and a multi-purpose Play Room along with the Deck Bar.

Three meeting rooms ranging from 16 – 145 sqm with a capacity to accommodate up to 100 participants are located on the third floor with most boasting natural daylight, featuring the latest technology and business services.

Every aspect of Oriental Residence Bangkok speaks to style: a landmark location, unrivalled views over expansive gardens and modernist interiors with nostalgic homage to turn of the century Thailand in its finer details. Residents will enjoy convenient access to the heart of Bangkok’s bustling central business district with a selection of prime shopping centres and the efficient Bangkok Transit System (BTS Skytrain) close by.

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Protest car makes a big hit

It is a sports car that certainly turns heads. Just three weeks ago, an orange high-end Pagani Zonda F drew up outside Dolce Gabbana’s store on Canton Road while protests against the fashion house were in full swing.

Many of the protesters gaped in wonder or snapped photos of the HK$12 million Italian dream machine, which boasts an acceleration of zero to 100 kilometers per hour in just 3.6 seconds.

Yesterday, the car lay wrecked, wrapped around a tree trunk on Chatham Road. The driver, surnamed Shum, 39, was trapped inside the lightweight two-seater car – made mainly from carbon fiber – and had to be released by firefighters. He was not seriously hurt and left hospital after a check-up.

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There are just 25 Zonda F cars in the world, one of which belongs to Cantopop singer Aaron Kwok Fu- shing.

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Film Review: All’s Well Ends Well 2012

-By Daniel Eagan

filmjournal/photos/stylus/1306378-Alls_Well_Md.jpg

For movie details, please click here.

The seventh in a series of romantic comedies tied to the Chinese
New Year, All’s Well Ends Well 2012 flings four couples
through minor entanglements before delivering them to happy
endings. Plotwise a step up from last year’s casually homophobic
outing, All’s Well Ends Well 2012 skimps pretty severely on
actual comedy. Asian viewers will still enjoy watching various Hong
Kong movie stars make fools of themselves onscreen. Outsiders are
likely to be baffled by all the commotion.

Returning from All’s Well Ends Well 2011 are the four male
leads as well as the ebullient comedienne Sandra Ng, who starred
with Stephen Chow and Maggie Cheung in the first entry of the
series back in 1992. Ng plays Chelsia, a down-on-her-luck pop star
who latches onto Carl Tam (martial-arts star Donnie Yen in a fright
wig), once a member of a 1990s boy band. They audition for a
musical, leading to amusing parody videos of disco, Bollywood, and
Hong Kong pop duo The Twins, along with long dramatic passages
about staying true to your dreams no matter what everyone else
says.

Last year Louis Koo played a makeup artist who pretends to be gay
to advance his career; here he’s a blue-collar construction worker
who falls for high-class photographer Julie (Kelly Chen) with
disastrous results. Koo has fun stripping down for his modeling
sessions, and Chen is appropriately icy, but their storyline is too
predictable, and never builds to big laughs.

Raymond Wong, a producer on the series since its inception, plays a
divorce lawyer estranged from his wife and daughter. He agrees to
fill in as a father figure for orphaned Cecilia (mainland star Yang
Mi), who has a week to marry to gain her inheritance. An old-school
sentimentalist, Wong leans toward scenes that are squishy and
maudlin, although he does come up with a funny mahjong game
involving old pop songs and hopping vampires.

Last and weirdest, Chapman To is Hugo, a novelist who agrees to
date blind ballerina Charmine (Lynn Xiong) so she can experience
romance. A narcissist despite his looks—To reportedly based him on
director Peter Chan (Wuxia)—Hugo is both cruel and insecure, a
combination that results in very few laughs. In fact, the best joke
in the film is pretending that the stunning Xiong couldn’t find a
date.

The previous All’s Well films were pretty ramshackle
affairs, which was part of the fun. Imagine genuine Hollywood stars
showing up in a Scary Movie episode to mock their previous
performances in song and dance, and you get a sense of how All’s
Well Ends Well
operated. This entry has a bit more narrative
cohesion, but at the expense of that “anything goes” humor that
made the series so watchable.

On the other hand, if the idea of making fun of Canto-pop, Asian
millionaires and Peter Chan cracks you up, All’s Well Ends Well
2012
is the film you’ve been waiting for.

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Chinese New Year continues at Foxwoods this weekend

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New Haven Review

The Review is an online literary magazine about the arts from a variety of writers who publish essays, reviews, fiction, poetry and art.

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Super Junior Rated Best Kpop Group of 2012 So Far

International website The Top Tens ran a survey on who the best kpop group for 2012 so far is. Super Junior has the most votes, but that can change at any time. Below is the list as of now and some fan comments. Votes are still allowed and it will be interesting to see who wins this out at the end of 2012. Check out the status so far and be sure to submit comments and votes for favorites.

 

1 Super Junior

No need to elaborate! They are the best! Their music, performance are superb! And also.. Their personality.. They humble.. Appreciate their fan.. They are the king of kpop! Hallyu star, SUPER JUNIOR THE LAST MAN STANDING!

2 JYJ

JYJ, composed of Jaejoong/Yoochun/and Junsu, is what you call the band with a heart! They are the BEST in SINGING! They LOVE music as if it is LIFE! BECAUSE FOR THEM IT IS LIFE! They have the heart to share what they have and they have the voice that can reach out to the world! INDEED THE BEST SINGERS!

3 TVXQ

I think TVXQ deserve to win because they are really talented and they shows that they can succeed even if it’s only the two of them without the other three. They worked really hard so we should support them and wining this award is the less we can do for them

4 Girls’ Generation

SNSD is the best among the best! They’re really talented, cheerful, dorky girls and can make me laugh all the day!

5 Kim Hyun Joong

The multi-talented artist… A very humble man… It’s worth of voting him! He never fails to makes his fans to be happy… Please vote for him! Thanks!

6 SHINee

Love them so much! Great combo in sound and in style! I usually can’t stop listening to them once I hear their songs playing on my playlist.

7 BigBang

BIGBANG is the best Korean boy band ever. They are so manly and they have good voices. Really love them, hopefully they can be the winner.

8 SS501

For me SS501 is the best boy band I’ve ever known. They sing, dance, and their voices are awesome. I know, they have solo activities now but their fans and I never give up and wait for their comeback.

9 Wonder Girls

I love their single “The DJ is Mine”. This hit is now in the United States and their fame is gonna fly…

10 2NE1

2NE1 equates to WOMEN EMPOWERMENT! They are uuber talented and very original. Their sound is FIERCE yet soft and feminine. 2NE1 are the BEST!

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K-Pop Hot 100: T-ara Stays Put as Wonder Girls Enter Top 10

T-ara did a re-peat. The vivacious girl group hung on to the top spot on the Billboard K-Pop Hot 100 Chart for a second straight week, with their bubbly single, “Lovey Dovey.” The young ladies have, of late, just kept on coming with the big hits. In late November and the first week in December their “Cry Cry” single stayed atop the heap for two straight weeks.

 

 

Meanwhile, hip-hop heavyweights Dynamic Duo returned with their double album “Dynamic Duo 6th Digilog 1/2 2/2,” to commemorate their 10th anniversary. There was more to celebrate as Double D roared back into the music scene after a two-year stint in the military. Their track “Without You,” has become an instant sensation, rising to No. 5 on this week’s chart, and proved to everyone the boys didn’t lose a thing in their hiatus. Their newest hit oozes with the heart-ache of lost love and emptiness.

 

Debuting at No. 9 are the wonderful Wonder Girls, JYP Entertainment’s top girl group, with their latest U.S. single, “The DJ is Mine,” adding yet another chart-popping single to their extensive list of hits. This fun, high energy pop track with a dustup beat was created by Cri$tyle, one of the most prolific producers in the industry. The group is known for taking risks, having left Korea at the pinnacle of their career to pursue their American dream. The girls toured with the Jonas Brother and quickly made history by being the first K-Pop group to debut on the Billboard Hot 100 chart. With their upcoming movie and new single, the girls are aiming for another top spot on the Billboard charts.

 

 

Also debuting this week, at No. 8, is the five-member boy band MBLAQ with their powerful title track, “Its War”. The song is expected to peak higher next week.

 

Co-ed band, Sunny Hill, took a huge leap this week with its newest digital single, “The Grasshopper Anthem”, to close in at No.10 on the K-Pop Hot 100 list. “The Grasshoppers Anthem” was created by the ultimate duo of bangers, composer Lee Min Soo and lyricist Kim Min Ah, the artistic team who also wrote, U’s “Good Day”, “You and I,” among others. The inspiration for the song comes from an Aesop’s fable, “An Ant and Grasshopper.”

 

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Billboard K-Pop Top 100: "Lovey Dovey" Holds Strong But Dynamic Duo Nips At T …

ZE:A

ZE:A Tops Taiwan’s G-Music Charts as Best Selling K-Pop Artist

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Hallyu and K-pop: the boundary blurs

For Girls’ Generation fans, the year 2012 must come as an exciting one.

Not only are they going to see their favorite hallyu singers on YouTube music videos and K-pop shows, but they are also going to find the girls on the small screen, as TV drama actresses.

Four members of the group — Yoona, Jessica, Yoori, and Sooyoung — have recently announced their upcoming foray into the TV drama scene, each participating in different shows for different broadcasters. Among the four, Yoona, who made her TV debut through KBS1 daily drama “You Are My Sunshine” back in 2007, is teamed up with rising K-pop hallyu star Jang Keun-suk for “Winter Sonata” director Yoon Suk-ho’s upcoming show “Loverain.” “I am so excited,” said Cho Hyung-jin, a 24-year-old male fan of Yoona. “She’s a proven star. She’s got the looks, knows how to entertain, and showed off her acting skills with ‘You Are My Sunshine’ already. I don’t see this as a sloppy idol star being forced to act for the sake of popularizing the show. These days, idol stars are not what people used think. They are all trained hard-core to be solid multi-players.”

Speaking of multi-players, Girls’ Generation isn’t alone. Countless K-pop idol stars are making their way into the TV drama scene this year, blurring the boundary between hallyu drama stars and K-pop singers.

KBS’ upcoming dance-and-music teen drama “Dream High 2″ features popular girl group T-ara’s Jiyeon, boy band 2AM’s Jin-woon, SISTAR’s Hyo-rin and After School’s Kahi. The show is produced by Holym, a joint venture between JYP Entertainment and “Winter Sonata” heartthrob Bae Yong-joon’s agency Keyeast along with CJ EM.

Cable channel tvN’s upcoming band-drama “Shut Up Flower Boy Band” stars K-pop boy group Infinite’s L, and Superstar K3 star Kim Min-suk. Boy band ZE:A member Siwan currently appears on MBC’s epic drama series “The Moon Embracing the Sun.”

“I’m very cautious to say this, but I’d say there hasn’t been many successful hallyu dramas after the 2003 epic “Dae Jang Guem,”" said Yoon Suk-ho, director of the 2002′s ‘hallyu-pioneering’ drama “Winter Sonata.” He is currently shooting his upcoming drama “Loverain.”

“K-pop, on the other hand, has its dynamic and energetic side. Jang Keun-suk, who stars in my upcoming drama ‘Loverain,’ and is a rising hallyu star in Japan, is in fact very different from Bae Yong-joon. He’s very one-of-a-kind, isn’t afraid of being himself, and doesn’t have that ‘mysterious’ quality which Bae used to charm his fans in Japan. Jang’s fans in Japan are much younger than the ones of Bae. I think K-pop stars bring energy to the TV drama scene, and attract young people worldwide.”

Yet some are cynical toward the trend, including scholar Jang Gyu-soo, who recently published a book titled “Hallyu and Star-system.”

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A K-pop frenzy in Jakarta

A K-pop frenzy in Jakarta

Big fans: Boys Generation, an homage to the Korean girl band Girls’ Generation, competes in the K-Pop Dance Competition in Jakarta.Big fans: Boys Generation, an homage to the Korean girl band Girls’ Generation, competes in the K-Pop Dance Competition in Jakarta.The lights dimmed and silence enveloped the theater. Swathed in darkness, the audience shared hushed whispers as nine teenage boys appeared and took their positions on an illuminated stage, all clad in pristine white costumes and ankle-high boots, oversized lollipop props clutched firmly in their hands.

Then, the familiar tunes of the K-Pop girl group Girls’ Generation’s “Kissing You” blared from the stage’s speakers. The crowd erupted with explosive shrieks of delight, rising to their feet and belting out the opening cheers of the song in Korean.

Amid the deafening music and cheers, the male dancers on stage displayed impeccably coordinated dance moves, chillingly similar to the sweet, charming choreography of Girls’ Generation. Unabashed by their rather androgynous costumes and dancing, Boys Generation showcased their talents and weeks of hard work, eager to win the competition.

This inaugural K-Pop Dance Competition was held recently in Central Jakarta. The event was organized by the Korea Fans Club, a collaborative project among the many K-Pop fan clubs in Indonesia.

The theater was packed with 1,300 avid K-Pop fans and giant banners of K-Pop stars hung from the balcony like flags. People were dressed in colorful, jaunty fan club uniforms, giggling and chatting incessantly as they waited for the concert to begin, occasionally breaking out into K-Pop songs they knew by heart.

Most were teenage girls and college students infatuated with the unique musical style of K-Pop. “I love the energy of K-Pop and how Korean bands sing and dance at the same time,” said Aya, a student at the University of Indonesia and an administrator of Playgirls, an Indonesia-based fan club of the girl group After School.

But there were some older audience members as well, like Tri, a 36-year-old teacher from Bogor and a devoted fan of the boy band Super Junior. After first learning about K-Pop through the Korean drama Jewel in the Palace in 2004, she fell in love with the “addictive, interesting and colorful songs” of K-Pop.

Outside the theater, rows of booths were installed along the walls, each selling an eclectic collection of K-Pop merchandise imported from Singapore and Malaysia such as posters, stickers, calendars and anything else that the faces of K-Pop stars could be plastered to.

The 20 finalist teams competing in the dance competition had been nominated from a pool of 102 contenders who had submitted YouTube videos of their dancing.

Karin, a 20-year-old student from Bandung and a member of the finalist team Shiny Girls, said she began performing K-Pop cover dances three years ago with a group of friends. “We learn the choreography by studying live performances of K-Pop groups on YouTube,” she explained. “We get together and practice in a small dance studio every week.”

Each finalist team imitated a particular K-Pop artist and danced to an arrangement of three songs. A huge variety of songs and groups were represented, from the edgy electropop of Super Junior to the upbeat rock music of the girl group 2NE1.

The teams tried to distinguish themselves from others by adding fresh elements to their dance performances, whether it involved acting out dramatic skits with misty fog covering the stage or jumping offstage to hand flowers to the judges and members of the audience.

Whenever a song culminated in the chorus, the audience let out earsplitting screams and sang along to the Korean lyrics at the top of their lungs, their sonorous voices resounding through the theater and energizing the dancers on stage.

The cover dance performances were scored by a panel of nine judges from Korea, including one from the major national South Korean television network Munhwa Broadcasting Corporation (MBC). “The judges evaluated the contestants based on their dance skills, choreography, costumes, teamwork and creativity,” said Young Hwan-song, the founder of Korea Fans Club and one of the judges.

The team 4NE1, which covered 2NE1, seized first place with their funky costumes, mesmerizing chair dance and powerful dance moves that bore a striking resemblance to the original. As the winners, 4NE1 will head to Korea where they will compete as a representative of Indonesia.

When the cover dance performances were over, four members from each team engaged in heated dance battles on stage. The audience watched with rapt attention as dancers showcased their powerful, flashy dance moves, from cartwheels to breathtaking freezes.

The spread of South Korean culture, commonly known as the Korean wave, began sometime in 1999 when the Korean drama Winter Sonata was met with rave reviews from viewers in Japan, particularly among older Japanese women.

The Korean wave showed no signs of ebbing as it rippled out vigorously to the shores of China, Hong Kong, Southeast Asia and even as far as Europe, where popular Korean music gained mass appeal with its charm and unique musical styles.

Indonesia has not been an exception. With the help of online social media, most notably YouTube, the Korean wave has made a splash in Indonesian teenage culture since 2009.

Spirited: The K-Pop Dance Competition in Jakarta was filled with hundreds of teenage K-Pop fans.Spirited: The K-Pop Dance Competition in Jakarta was filled with hundreds of teenage K-Pop fans.Young is optimistic about the prospects of the Korean wave in Indonesia. He believes that K-Pop will continue to garner interest among young Indonesians and raise awareness about Korean culture. “The wave has definitely fuelled cultural exchange between Indonesia and Korea,” he added.

Such cultural impacts are made palpable by Indonesian K-Pop fans who express an interest in learning more about Korean culture. “I’d love to learn the Korean language,” remarked Ren, a 19-year-old on the Perseids team, which placed second in the competition.

Korea Fans Club plans to host another event in the fall, this time a singing competition in which K-Pop fans will have the chance to unleash their singing talent in front of cheering crowds.

After the storm of the dance competition, the Korean wave seems to have receded a bit in Jakarta. But the calm is only a façade. The wave will continue to rise, gathering momentum through online fan sites, in dance studios and in the weekly fan club meetings all around Indonesia.

And at the next major K-Pop event, the wave will come roaring out and crashing down all at once — this time, with even greater force.

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